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| Eugene Atget (Phaidon 55's) | 
enlarge | Creator: Eugene Atget Publisher: Phaidon Press Ltd Category: Book
List Price: £4.95 Buy Used: £0.64 You Save: £4.31 (87%)
New (7) from £1.70
Avg. Customer Rating: 1 reviews Sales Rank: 303499
Media: Paperback Number Of Items: 1 Pages: 128 Shipping Weight (lbs): 0.5 Dimensions (in): 6.1 x 5.4 x 0.5
MPN: 0714840491 ISBN: 0714840491 Dewey Decimal Number: 770.92 EAN: 9780714840499 ASIN: 0714840491
Publication Date: May 1, 2001 Availability: Usually dispatched within 1-2 business days
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| Editorial Reviews:
Amazon.co.uk Review In this day and age we have pretty much taken photography for granted as an integral part of everyday life. There is the immediacy of Polaroids and the limitlessness of disposable cameras, which makes a picture taken today a distant cousin to the practice of early photography. Occasionally we need reminding of the roots of photographic image making: the glass plates, hand-coated emulsion and massive amounts of other accoutrements that were needed to make one image. In Atget, a selection from the lifetime work of legendary French photographer Eugene Atget (1857-1927), we enter the world of early 20th-century photography, which was beginning to bid farewell to the hand-crafted picture.Atget was poised on the cusp between the techniques and materials of early photography and the moment things began to change and modern photography was born. From a laborious and time-consuming process came a much faster method that changed the nature of photography forever. Seemingly overnight the photograph went from something precious to something on its way to being accessible to all. Atget was among the first generation to photographically capture the world of ordinary citizens. While the subject matter was new, Atget was nevertheless steeped in the tradition of the old-world photograph. A crooked doorknocker is captured with loving attention to detail, an air of preciousness still present. Spindly trees, store windows, public gardens... each picture is delicate and romantic. It makes you wonder if absolutely everything was more beautiful in France. Included are insightful commentaries for each of the 100 tritone photographs and five duotones, plus a really great introduction by John Szarkowski, former Director of the Department of Photography at the MOMA. --J.P. Cohen
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| Customer Reviews:
Excellent book slightly marred by some over-blown writing March 1, 2002 4 out of 4 found this review helpful
I have purchased numerous of this excellent series of books prior to the Atget edition and the basic structure of essay followed by 55 annotated photographs in a cheap, small volume is proving a better introduction for me into the work of master photographers than several other much weightier works. It's all about the accesibility, the diminuitive nature of the volumes, the price, the focus on the images with supporting text that generally make these books a 5 star read. However, although I would personaly recommend this edition as an excellent intro to the enigmatic world and images of Eugene Atget, the thing that loses a star is the sometimes (for me) overblown and flowery prose used in the essay and some of the descriptions which had me rushing for my dictionary every other page. Seems very much at odds with the mass-appeal, introductory nature of the series. As with other volumes (Eugene Richards in particular) it did leave me wanting to find out more about the artist and completely captivated by the world he photographed.
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