The book is organised around a series of features of mountaineering--glaciers, summits, unknown ranges--and each chapter explores the scientific, artistic and cultural discoveries and fashions that accompanied exploration. The contributions of assorted geologists, romantic poets, landscape artists, entrepreneurs, gallant amateurs and military cartographers are described with perceptive clarity. The book climaxes with an account of Mallory's fateful ascent on Everest in 1924, one of the most famous instances of an obsessive pursuit. Macfarlane is well-placed to describe it since it is one he shares.

MacFarlane's own stories of perilous treks and assaults in the Alps, the Cairngorms and the Tian Shan mountains between China and Kazakhstan are compelling. Readers who enjoyed Francis Spufford's masterly I May Be Some Time: Ice and the English Imagination will enjoy Mountains of the Mind. This is a slighter volume than Spufford's and it loses in depth what it gains in range, but for an insight into the moody, male world of mountaineering past and present it is invaluable. --Miles Taylor

Gerard Manly Hopkins. c.1880

In this unique book Robert MacFarlane presents us with mountains both as physical/ geological construct and, as the title would suggest, the mental construct of modern man.

His very persuasive standpoint being, that mountains and our attitudes towards them owe as much to mindscape as they do to landscape.

MacFarlane cleverly blends the two in a progression from 16th century 'terra incognita' and a 'There be Dragons' mentality, through the 'sublime' mountain worship of Shelley, Ruskin et al, to the scientific endeavors still linked with mountaineering at the beginning of the 20th century, arriving finally at the noble pursuit of mountain climbing and the consequent courting of danger as a laudable end in itself. And all this, running in parallel with the acknowledgement of 'Deep Time' inherent in the ongoing decoding of geological encryption.

His description of landscape and geological forces in what he calls 'The Great Stone Book' is fascinating and is achieved in such a way that it is both simple and at times poetic in its rendering of information more normally associated with the technically prosaic.

He is eclectic in his literary references with quotes ranging from Petrarch to Simpson - Joe and all points in between, sampling freely from poetry, prose, diary and letter. He also draws heavily on the artistic endeavors of many across the ages and it is in this department that the book displays what is, for this reviewer, its only weakness, poor quality photographic reproduction.

Mountains Of The Mind could be said to be truly, and indeed literally, visionary in its conception and MacFarlane has succeeded in telling a wonderful tale of the evolution of the mountain world in the consciousness of modern man.