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| Nul Points | 
 enlarge | Author: Tim Moore
Publisher: Jonathan Cape Ltd
Category: Book
List Price: £11.99
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Avg. Customer Rating:  14 reviews
Sales Rank: 215684
Media: Paperback
Edition: New title
Pages: 320
Shipping Weight (lbs): 1
Dimensions (in): 9.1 x 6 x 1.3
ISBN: 0224077805
EAN: 9780224077804
ASIN: 0224077805
Publication Date: October 5, 2006
Availability: Usually dispatched within 1-2 business days
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| Customer Reviews:
 Moore's first turkey January 8, 2007
3 out of 10 found this review helpful
Perhaps it's partly my fault? After greatly enjoying all Tim Moore's previous books I was eagerly anticipating another humous travel tome. Unfortunately this is neither.
As the first under-edited chapter about a dull Norwegian non entity drags laboriously on it seems Moore has started out in a new literary direction. Fair enough, but the book is packaged like his previous efforts, there's no indication of this to the purchaser and there's a case for sticking at what you're good at.
Essentially this is a long-winded chronicle about Eurovison, so if the subject doesn't interest you don't bother as in this hopefuly exceptional case Moore fails to grasp the reader's interest. He's still a fine writer and accute observer of humanity but somehow what must have seemed an excellent concept just doesn't work in print - maybe cut by a third it might have?
As a writer myself I hate giving up on a book and it's rare for me to do so, but this one is now in the local charity shop.
 From Heroes To Zeros January 1, 2007
8 out of 9 found this review helpful
Following on from his exploits around the Tour de France route, the "real" Monopoly board of London and a trek with a stubborn donkey along the route of the Santiago de Compostela, it wasn't only a matter of time before Tim Moore's attention, and writing, was drawn to the wonderful spectacle that is the Eurovision Song Contest.
Rather than cover the contest as a whole Tim decided to delve deeper into the betes-noire of the contest, those much-maligned artists whose joy at national victory was brought suddenly and very publicly back down to earth with a bump when they scored nul points.
As any Eurovision statto will tell you there have been 34 entrants who have failed to trouble the scorers, although some can reasonably claim that the scoring system didn't help. Between 1971 and 1973 it wasn't possible to score nothing as every song, however bad, received some points and in the early to mid sixties there were so few points on offer than the non-scorers were always in good (or bad) company.
The eminently-readable "Nul Points" follows Tim Moore's attempts to interview the last 14 non-scorers from Jahn Teigen in 1974 to our very own Jemini in 2003. Out of patriotic loyalty, I actually decided to read the Jemini chapter first and then the rest of the book. Notwithstanding the rights and wrongs of what may or may not have happened on that fateful night in the Riga's Skonto Olympic Arena, one thing that strikes me from reading the book is that Jemini seemed totally unprepared for the international arena they were about to enter. Akin to giving a Christian a plastic knife to take on the lions, there seems to have been very little in the way of a support mechanism for them in their Euro-adventure. Who should take the blame for that is now ancient history but it left me feeling more a little sorry for them as they returned to the real life of day jobs and bills to pay.
Tim Moore fails to fall into the trap of so many Fleet Street (are there actually any left there?) hacks around competition time by avoiding all the stereotypes and lazy journalism fans of the contest have come to expect. Sure, you can't not mention the political voting, the outfits, the repetitive lyrics but Tim doesn't dwell on those as he seeks to find out what has become of the unfortunate fourteen nul pointers.
Some of the infamous fourteen have survived better than others. Some like Jahn Tiegen have become Eurovision legends (his failure didn't stop two further attempts at the contest) and others, well, you'll need to read the book to find out. It's obvious that the author is a fan of the contest but he fails to let that get in the way as another book in his excellent series of travelogues only underlines what a fine, comic writer he is. For Nul Points, I award Douze Points.
 Tim goes soft - I blame the bloody donkey December 4, 2006
3 out of 7 found this review helpful
Tim Moore escapes the usual classifications - travel? humour? personal development? I have read and enjoyed all his books with their pre-occupations with human failures, weird people and especially his fascination with Nordic men, women and temperatures. (Dear Reader -he married an Icelander) All this laced with his ferocious eye for stupidity and mean mindedness - the latter is often his own of course. It is this which he not only exploits but also always used to end up writing about especially when exhibited in situations which he has carefully manoeuvred himself into. Who else rents a donkey to go on a pilgrimage with? Very good for all those painful laughs about painful things. But what he and his readers did not bargain for was the experience of looking after the donkey on his pilgrim's progress to Santiago de Compostela that transformed Tim the Monster Moore into someone almost likeable. And this regrettable softening up of Mr Meanie has burst through into Nul Points where his great obsession with the North and its strange inhabitants and his glee at their appalling clothes, songs and climate is tempered by - I shudder to say it - by mercy and sympathy. In his other books just when you were ready to fling monster meanie Moore into the fire, he played the sympathy card importing his (Icelandic) wife and children into the plot who arrive and rescue him from .. wherever he had got himself into. This rebalanced the book and gave him a way of refuelling the funny tank of insults and off he goes again. But now thanks to the sentiments awakened by Shinto the donkey, he has become a softie whose derisive hoots have lost a lot of their energy. His wife has been recast as researcher and is no longer his redemptive angel. He even spends money with few of the Scrooge-like screams that accompany paying a bus fare in the first books. I hope that is in part because he is much richer but it may be caused by another incident in Spanish Steps when he was shamed by failing to catch on that a Swiss couple has bought him and his entire family a meal complete with vast amounts of vintage brandy. He is left speechless by the kindness of strangers. So it is not wholly surprising that the new human Moore runs out of steam well before the end of this book on Eurovision nul pointers. I do not think this is a bad thing. What I now look forward to is seeing where he goes now - is being funny impossible if you like human beings and yes donkeys? No doubt to the horror of the author, his agent and his publisher, he may be moving away from 'Travel/ Humour' to somewhere much more interesting. I look forward to reading about that destination.
Enjoyable November 19, 2006
5 out of 6 found this review helpful
Tim Moore is Britain's finest Nordic humorous travel writer. And this is a fine vehicle for his art! A large and thorough book, which could leave you wondering: how innocent is my interest in this subject?
 Highly original November 13, 2006
10 out of 11 found this review helpful
Tim Moore was inspired to write this book through his friendship with Jane Alexander and her experience of coming 3rd in the UK national final to choose a song for the Eurovision Song Contest in 1989. He began to wonder what had become of the singers who came last in the Eurovision Song Contest, and this led him to look at the names of those who have suffered what he dubs light entertainment's ultimate indignity- a zero score in the Eurovision Song Contest.
The contest has given the English language the term Nul Points, despite the fact that, as Mr Moore rightly points out, the phrase has never been uttered on the Eurovision stage. He decided to limit his definition of Nul-Pointers to those who have failed to score under the current 12 points voting system (previous voting systems made it much easier to come away empty handed). This left him with a list of 14 acts to visit in their own counties, in chronological order, beginning with Norway 's Jahn Teigen and ending with the UK 's Jemini.
What had begun as a project based on the UK 's Woganesque derision of the ESC, fuelled by schadenfreude, quickly took on a life of its own as Tim Moore delved deeper into the lives and times of Eurovision and its pointless contestants. The book is meticulously researched and the author generously credits the Eurovision fan base as his best and most reliable source of material. From the 14 candidates, he finally visited 9. A meeting with Remediou Amaya [Spain 1983] could not be arranged and Cetin Alp had sadly passed away, drawing the final curtain on his 1983 debacle for Turkey (the book is dedicated to his memory). Wilfred ( Austria 1988), Thomas Förster ( Austria 1991) and Gunvor ( Switzerland 1998) all declined to talk about their Eurovision experiences. Nevertheless, all these artists get a sympathetic hearing in the book.
Of the close encounters of the Eurovision kind which do take place, the reports range from the amusing (Teigen and Sigyal Taner) to the distressing (Finn Kalvik and Celia Lawson). The book is packed full of trivia and pointed observations, making it a joy to read. Tim Moore's style owes something to that of fellow travel writer Bill Bryson, another author who combines facts with fun. The final chapter is dedicated to his visit to see the ESC live in Kyiv in 2005. Only here does he drop a factual clanger, wrongly crediting Gracia's ill-fated German entry to the pen of Ralf Siegel (a forgivable error). He was much relieved when the contest produced no additional Nul Pointers, even if 2005 was a year of near-misses.
One of the most amusing and original books even written on subject, this book is highly recommended to Eurovision fans and Eurovision foes alike.
Ivor Lyttle
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