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No More Shall We Part: Limited Edition
No More Shall We Part: Limited Edition

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Artist: Nick Cave And The Bad Seeds
Label: Mute
Category: Music

List Price: £9.99
Buy Used: £5.89
You Save: £4.10 (41%)



New (4) from £19.25

Avg. Customer Rating: 5.0 out of 5 stars 13 reviews
Sales Rank: 98140

Format: Limited Edition
Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5

EAN: 5016025911646
ASIN: B00005AMDQ

Release Date: April 2, 2001
Availability: Usually dispatched within 1-2 business days

Tracks:

  • As I Sat Sadly By Her Side
  • And No More Shall We Part
  • Hallelujah
  • Love Letter
  • Fifteen Feet Of Pure White Snow
  • God Is In The House
  • Oh My Lord
  • Sweetheart Come
  • The Sorrowful Wife
  • We Came Along This Road
  • Gates To The Garden
  • Darker With The Day
  • Grief Came Riding
  • Bless His Ever Loving Heart

Similar Items:

  • Let Love in
  • The Boatman's Call
  • Grinderman
  • Dig!!! Lazarus Dig!!! (+ 54 Page Booklet With Lyrics and Photos)

Editorial Reviews:

Amazon.co.uk Review
Eleven studio albums into Nick Cave's career, and it seems that the long wait for his first duff album must continue. No More Shall We Part contains a greater wealth of musical invention and lyrical intelligence in its 68 minutes than most acts manage in an entire career of trying. Cave is not merely in a different league from most of his peers; he's scarcely even playing the same game. No More Shall We Part sees a renewed emphasis on the virtuosity of Cave's long-time backing band, The Bad Seeds--Cave's last album, 1997's superb The Boatman's Call, was a relatively sparse affair. They decorate the sprawling ballads on No More Shall We Part with their usual aplomb, helped on several tracks--notably the gorgeous "Hallelujah"--by the crystalline harmonies of veteran folk singers Kate and Anna McGarrigle. The sound, overall, is best imagined as what Cave and The Bad Seeds were trying to accomplish on Henry's Dream. Cave's lyrical preoccupations have remained more or less constant--God, love and the loss thereof, death (all the greats). As ever, Cave deals with these with greater agility and imagination than anyone else--with the possible exceptions of his obvious eternal idols Leonard Cohen and Johnny Cash--and, as ever, is frequently funnier than generally given credit for. --Andrew Mueller


Customer Reviews:   Read 8 more reviews...

5 out of 5 stars One of the greatest albums of all time   June 29, 2001
 1 out of 3 found this review helpful

I wish that i could give this ten stars. This album is perfect. It is an incredible journey through the landscapes of the human heart. The songs are achingly beautiful and i suggest listening to it via headphones as that way you can capture all the many different layers to it. I could listen to it eternally and never tire of it. An incredible work of art!


5 out of 5 stars less venom   June 13, 2001
 2 out of 3 found this review helpful

In reply to Mr "boatsmans dream(and then some)19may 2001. I agree totally with your aclaim of the album. It is showing musical maturitty of a man i am sure has not found his peak. but Nick Cave has definately softened to life. The past venom of his earlier work (and particularly "The Birthday Party") Has now turned to a wiser knowing of the darker aspects in life, instead of an angry belch at it. The album surely displays an understanding of bleakness rather than a hatered of it.


5 out of 5 stars The Boatman's Dream (and then some...)   May 20, 2001
 3 out of 3 found this review helpful

I feel I've now listened to this album enough since it's release to be able to adequately review it - as akin to all Nick Cave albums it takes a while to firmly embed itself under ones skin and even longer to claw it's way up the cerebral cortex.

The album begins with the quietly strummed guitar and lilting piano of the first few bars of "As I sat sadly by her side", the first single, which would seem to indicate that this album is going to become "The Boatman's Call Part II". However, as we move on it becomes apparent that this is not entirely the case.

The third track "Hallelujah" exhibits a lush musical backdrop far less spartan than anything found on the previous album and is one of the highlights of this one. From this track in, the songs are more musically complex and often louder than the previous work. It's not however until we reach "Oh my Lord" that the Bad Seeds really let rip. This song appears to be in part Cave's response to his detractors who claim he's gone a bit "soft" of late, the loud orchestration easily matching the anger of any of the pseudo-punk on "Henry's Dream" with a suitably vitriolic lyric.

Nick Cave has always been able to turn lyrical cartwheels and this album is no exception. It's the oh-so-easy mix of the sublime, mundane, ridiculous, dramatic and tragic imagery that's so moving - but I'll refrain from quoting any because I suspect that out of context it'll all seem a bit silly.

But if you fancy an album of brown cows, white kittens, lady mayors, absent nurses, buried hatchets, snarling pianos, love letters, white churches, plastic antlers, garden gates and smoking guns - go buy this one. You won't regret it!


5 out of 5 stars Great Album   April 19, 2001
 1 out of 1 found this review helpful

Not to beat about the bush with an over stresses introspective review. This album is Nick Cave at his poetic best. A superb album that contains all the subtlety and meaning that is characteristic of Cave, set over beautiful ballads that make the music unique.

Especially Oh my lord, a true masterpiece.


4 out of 5 stars really special!   April 17, 2001
 2 out of 2 found this review helpful

Having only got into Nick Cave in the last year, I only owned two of his albums - the best of and Murder Ballads - before I got this. It's definitely worth the attention of the casual fan. The album is imbued with melancholy, from the opener As I Sat Sadly By Her Side onwards. This album starts amazingly and tails off a little bit at the end. Hallelujah is beautiful, as is Oh My Lord. These are my favourite songs on the album, despite their somewhat overly religious connotations. (I can never tell how religious Nick Cave actually is, considering he seems to portray characters in most of his songs, rather than portraying himself per se.) This album has inspired me to go out and buy some of Nick Cave's other cds, which should indicate something of its quality.



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