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| The Lady Eve [1941] (REGION 1) (NTSC) | ![The Lady Eve [1941] (REGION 1) (NTSC)](http://ecx.images-amazon.com/images/I/517EH9JMPSL._SL160_.jpg)
enlarge | Director: Preston Sturges Actors: Barbara Stanwyck, Henry Fonda, Charles Coburn, Eugene Pallette, William Demarest Studio: Criterion Category: DVD
Buy Used: £16.50
New (17) from £19.17
Avg. Customer Rating: 6 reviews Sales Rank: 42180
Format: Black & White, Dvd-video, Subtitled, Ntsc Languages: English (Original Language), English (Subtitled) Running Time: 94 minutes Number Of Items: 1 Aspect Ratio: 1.33:1 Shipping Weight (lbs): 0.3 Dimensions (in): 7.4 x 5.3 x 0.6
MPN: PMIDCC1567D ISBN: 1559409142 UPC: 715515011624 EAN: 9781559409148 ASIN: B00005JH9B
Theatrical Release Date: February 25, 1941 Release Date: October 16, 2001 Availability: Usually dispatched within 1-2 business days
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Amazon.co.uk Review In 1941, Barbara Stanwyck was offered two screwball roles equally suited to her tart intelligence, deft comic timing, and undeniable sex appeal, and it's a photo finish as to which was funnier--showgirl-on-the-lam Sugarpuss O'Shea, the title character in Howard Hawks's Ball of Fire, or con artist Jean Harrington a.k.a. Lady Eve Sidwich, the delirious fulcrum for this classic Preston Sturges comedy. Under Sturges's typically antic microscope, the collision between the gold-digging Harrington and the very rich, very hapless brewery-heir-turned-herpetologist Charles Pike (a wonderfully callow, guileless Henry Fonda) yields ample opportunity for the writer-director to skewer issues of class and sex; as always, Sturges is bold in pushing the censors' envelope, capturing a palpable erotic heat between the canny Jean and the literally feverish Charlie, who, after a year up the Amazon, is instantly smitten by the mere sight of her shapely ankles (in hindsight, a precursor to her subsequent effect in Double Indemnity). To give away the plot machinations driving the farce would spoil the fun, beyond confirming impersonations, mixed signals, and misunderstandings as the turns in a consistently rollicking ride that makes good use of Charles Coburn and screwball character veterans Eugene Pallette, William Demarest, and Eric Blore. --Sam Sutherland
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| Customer Reviews: Read 1 more reviews...
eve does adam proud and god too for creation of sturges August 25, 2008 sturges indeed did god proud for creating adam with his intelligently witty script which discovered the comic genius of both sturges and fonda ,but the limelight is stolen as always by stanwyck as eve,without her it is impossible to contemplate a movie so perfect in timing and in emotional harmony with it's simple plot ,yet so profoundly rich in affect with love and comedy,
if this was the archetype of the romcom ,then i regret to say that hollywood is in stone age today compared to the forties as this works at every dimension and all the human senses are satiated besides the sense of style and intelligence .
that it does so by an impossible plot twist which does not bother you the least is due to the delicious presentation where frothy comedy has already touched you so deeply in heart and mind that you can accept the characters as bigger than life with delight .
this is totally lacking in the cinema today where you usually breed contempt for even likable characters midway and that is usually inadvertent ,
this is a movie set on a cruise liner with great romantic indoors and outdoors and then plays in a huge country house ending in a train and ship compartment but it is so balanced with itself that it becomes spacious and widely arousable in every site,
a special mention for fonda as the stoic,naive but charming millionaire who had the courage to play the buffoon to gentlemanly perfection which can also be called comic genius ,
he is truly a great as much as preston sturges is a genius indeed ,
great movie dedicated to the adams and eves and the essential sin they committed in the best of style possible . - jbz7879
Oriana Here I Come! August 26, 2007 2 out of 2 found this review helpful
Ocean cruising has never interested me but if I thought I'd meet someone like the "Lady" Eve on board I'd be on that boat like a shot. Possibly Barabara Stanwyck's most captivating role, it's a delight to watch her pull geeky beer baron Hopsy's (Henry Fonda) strings as she lines him up, reels him in and then charmingly, falls in love with him. This is a role todays female stars would die for: Killer dialog, the opportunity to wind a male star round your finger, and bursting with heart. If only they had the screen power to match Stanwyck. Watch and marvel as she seduces her mark then ruffles his hair and sends him packing from her cabin. Romantic comedy was never better than this.
Perfect film! March 21, 2007 6 out of 7 found this review helpful
After seeing this wonderful film, I had to ask myself, why they don't make films like this anymore? This film has more wit and passion than all the so called romantic comedies combined that have been made during this decade! Just an incredible film. Here everything works perfectly. This film is not only funny, but it has more depth than most drama films and it has more clear insight into human psyche than most of the serious character studies. And in many ways, this film, though over sixty years old, is still fresh and new. The leading stars Fonda and Stanwyck are superb. Especially Stanwyck blows me away. One of my all time favourite performances by an actress on film ever. Such a charm and intelligence and beauty. It's truly no understatement to consider her as one of the all time great actresses. Henry Fonda also gives stellar performance. his comedic abilities are subtle but effective.
This film is a genuine classic and one the alltime great romantic comedies. Very funny and very entertaining. If classic hollywood film is your cup of tea, you can't go wrong with this one.
An almost flawless screwball comedy with a perfect ending. November 17, 2005 31 out of 32 found this review helpful
I like all of Preston Sturges' films, but this one I love - it is nearly perfect - one of those rare films that affect you long after you have watched it. Anyone who thinks old films are stilted, naive or wet should watch The Lady Eve, there is cynicism, and sophisticated and ribald dialogue you still wouldn't want a child to fully understand. To adapt a line from the film, it has a wonderful way of building up romance then bouncing it down again with wit. Having said that, it is still terribly romantic.It is impossible not to fall for Barbara Stanwyck's character and at no point, despite being opposites, do the leads feel mismatched in any way. Both of their early screen personas were used by Sturges; Fonda's stiffness to convey a touching innocence and Stanwyck's tough yet vulnerable worldliness to rough him up. A quick word about slapstick, which forms a part of almost all of Sturges' films, I'm not incredibly fond of it and quite often it can be a little tiresome and contrived for modern audiences, as anyone who has had to fast-forward through Rex Harrison's interminable solo scene in Unfaithfully Yours can attest, but here, though it is very important to the plot, it is limited and every instance fits naturally into the scene with perfect timing and, like the rest of the film, is still very, very funny.
Charming Romantic Comedy August 8, 2004 9 out of 10 found this review helpful
Barbara Stanwyck is at her comedic best in "The Lady Eve," playing a vamp who tries to con a gullible heir, played by Henry Fonda. Her plans hit a snag, though, when she finds herself falling for him, which leads to some madcap fun. Directed and co-written by the peerless Preston Sturges ("Sullivan's Travels"), "The Lady Eve" is among the finest of Hollywood 1940's romantic comedies. The script is quite brilliant (the movie received only one Oscar nomination, for its screenplay, which it lost to "Here Comes Mr. Jordan") and delivers some genuine laughs. In addition, the tinge of bitterness and cynicism that characterizes Sturges' work is here -- this movie isn't a sickly sweet romance. Sturges also manages to create a wacky screen couple and then make them seem believable; a formidable task. Finally, Fonda has never been better; his all-American looks and blank visage are put to perfect use to convey the innocence required for the role. Overall, a highly recommended film.
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