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| Millennium - Season 2 [1996] | ![Millennium - Season 2 [1996]](http://ecx.images-amazon.com/images/I/518ZVH0S2KL._SL160_.jpg)
enlarge | Studio: 20th Century Fox Home Entertainment Category: DVD
List Price: £39.99 Buy Used: £11.49 You Save: £28.50 (71%)
New (7) from £14.36
Avg. Customer Rating: 13 reviews Sales Rank: 7425
Format: Box Set, Full Screen, Pal Languages: Italian (Subtitled), Swedish (Subtitled), English (Original Language) Rating: Suitable for 18 years and over Number Of Items: 6 Discs: 6 Aspect Ratio: 1.33:1 Shipping Weight (lbs): 0.6 Dimensions (in): 7.6 x 5.4 x 1.2
EAN: 5039036017527 ASIN: B0002DXGWE
Theatrical Release Date: October 25, 1996 Release Date: September 27, 2004 Availability: Usually dispatched within 1-2 business days Condition: Unwanted. In perfect condition.
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| Customer Reviews: Read 8 more reviews...
One of the most remarkable TV series ever created March 18, 2008 2 out of 2 found this review helpful
The second season of 'Millennium' has divided the show's fans as to whether it develops the themes set up in Season 1 or destroys them entirely but I can only see this part of the saga as the moment when it became truly groundbreaking TV. Anchored by Lance Henriksen's incredible performance as Frank Black, new helmers Dan Morgan and James Wong develop the show into an unsettling, clever, twisted and adrenalin-soaked experience.
Don't get me wrong, Season 1 is powerful viewing, but Season 2 simply builds on the themes the show originally presented and creates a signature series that leaves you utterly stunned by its quality. Whatever your feelings on Season 1, it is surely obvious that it began recycling the same formula in each episode and the serial-killer-of-the-week format started becoming redundant by the middle part of the series. I honestly don't think the show could have continued in this vein as it would have become rather stale. Morgan and Wong introduced a story arc, which the show needed, developed the existing characters, built on the supernatural suggestiveness (think 'Force Majeur' from 1) and focused more attentively to the shady Millennium Group; all of which served to create a more exciting and urgent atmosphere as the countdown to the Millennium itself begins.
I also do not agree that Morgan and Wong betrayed the show's roots: the bleak atmosphere remains and episodes such as the brilliant 'The Mikado' disturb you long after viewing. The central theme of man's innate darkness is also more than evident, only The Group are now the example being held up for scrutiny. Oh, and The Millennium Group don't go 'evil' as some people clearly seem to think: there are factions within the Group with different ideologies which adds a far more complex (and, in my opinion, believeable) layer to an organisation that operate behind closed doors. I think most critics of this season cite the 'comedy' episodes as an example of the supposed failings but I just cannot comprehend this. They are outstanding creations of dark humour and, though different to the recognised style of the show, add a refreshing direction. The only standing crticisms I would agree with are the X-Files-conspiracy-feel (though it is pulled off effectively) and Brian Roedekker being an utterly pointless and supremely irritating character addition.
A bold and brave development of an exisiting format that builds to a nail-biting apocalyptic conclusion and I am only saddened that Morgan and Wong could not return to finish the show in their vision. Season 3 is still watchable (in Millennium's unique way!) and I would recommend taking a look if you're a fan but ultimately it's a let down after the heights of Season 2.
Apocalypse Rising March 1, 2007 0 out of 2 found this review helpful
Having only ever seen the first series on television, I was highly anticipating this second season of paranormal, mysterious and murderous goings-on from the mind of Chris Carter finally released on DVD. But right from the outset this season proves to the viewer that little planning was made beforehand for the second season of `Millennium'. Picking up where `Paper Dove' left off at the end of season one, events are immediately less infused with the insight and engrossment compared with the majority of episodes from the previously electric season, possibly due to the down-playing of lead character Frank Black's gifts for criminal profiling and psychic visions. Also, complications in Frank's family life following the fall-out from episode 1- `The Beginning and the End' (5/10) mean that Megan Gallagher appears much less frequently in this season, but not only that- the relationship between them is suddenly and unexplainably changed. Perhaps the producers decided to remove the stable home-life that contrasted so well against Frank's violent investigations, in order to highlight the escalating suspect actions of the Millennium group to whom he offers his dubious allegiance. But season two is definitely more episodic, especially on the first three discs, with the lack of a common theme proving to be a huge detriment to this once brilliant series...
Episode 4- `Monster' (6/10) seems to be more suited to `The X-Files', as does episode 9- `Jose Chung's Doomsday Defence' (7/10), which is superbly written and hilariously funny, but feels ill-suited to the type of series that `Millennium' defined itself as in its first season. Then there are the simply dull and poor-quality episodes like episode 2- `Beware of the Dog' (5/10) and episode 6- `The Curse of Frank Black' (4/10), which may be atmospheric, but are unforgivably thin on story. Improvement is made in episode 7- `19:19' (6/10) and episode 8- `The Hand of Saint Sebastian' (6/10), which are strongly reminiscent of the quality of season one, but are still considerably less well constructed stories and lacking the poignancy of the early days of `Millennium'. With disc four however, things do become more consistent...
Episode 13- `The Mikado' (8/10) returns to the serial killer format and has a very solid story, as do episodes 15- `Owls' (7/10) and 16- `Roosters' (7/10) that explore a growing division in the Millennium group, one that threatens "the future of the future". But it's on disc five that events really take-off, beginning with episode 17- `Siren' (8/10), episode 18- `In Arcadia Ego' (8/10), episode 19- `Anamnesis' (8/10) and episode 20- `A Room With No View' (9/10)- all of which are really original, moving and gripping stories. The final sixth disc offers something a little different with comic-relief in the form of episode 21- `Somehow, Satan Got Behind Me' (7/10), which is character driven and pretty funny. Episodes 22- `The Fourth Horseman' (9/10) and episode 23- `The Time Is Now' (8/10) wrap-up the season nicely by exploring the long-prophesised cataclysm that befalls Frank's family with unexpected results. A solid end to the season.
So while I was very disappointed by the first half of season two, the second half more than redeemed the season. On average I'd award this second season 3 stars.
The best Millennium season May 12, 2006 3 out of 4 found this review helpful
The best of the 3 seasons takes the (very good, but getting rather samey by the end of the season)drama of season 1 and ups it a notch, adding more humour (the two Darin Morgan episodes Jose Chung's Doomsday Device and Somehow, Satan Got Behind Me are classics of television), an internal mythology and on-going narrative (something sorely lacking in the first season) and more of a supernatural feel (although the latter half of season 1 was heading in this direction too, so anyone who says this only started this year is talking out of their rear). In short, new producers Morgan and Wong open the series up and make it reach it's potential. One of the best seasons of television ever, watch, enjoy, and then weep in frustration when Morgan and Wong leave and it all goes tits up for season 3.
this is the best of the three seasons March 26, 2006 1 out of 3 found this review helpful
In my opinion this is the best of the three seasons although the season opener is very weak. I got the impression the writers did'nt like the idea of finishing someone else's storyline and who would blame them. Anyway I thought the third season was the weakest of the three but Chris Carter was involved again so what do you expect. This season moves away from the serial killer story lines and the miserable atmosphere of season 1 with some originality in terms of the storytelling and much needed humour through not taking it all too seriously. Buy the first two seasons and forget about the third, its rubbish!!
One Is The All February 10, 2006 9 out of 10 found this review helpful
Created by Chris Carter, "Millennium" first appeared on television in 1996. It stars Lance Henriksen as Frank Black, a former FBI Agent who specialised in profiling serial killers. Frank retired from the Bureau after suffering a breakdown and moved from Washington to Seattle. However, he didn't completely sever his ties with the world in which he once worked and joined a team of ex-law enforcement agents known as the "Millennium Group". During season one the group appeared happy to lend their expertise to whatever investigation required their help. With season one, Carter successfully created a murder-mystery show that was dark, could be disturbing and had a real sense of evil. Unlike "The X-Files", there wasn't anything 'unusual' about the show. Frank was not supposed to be a psychic, nor was his gift a form of telepathy - he was simply a very talented serial profiler who could put himself in the killer's head. However, for season two, Carter was a little too busy with the X-Files to take the same hands-on approach. As a result, Glen Morgan and James Wong were brought in as Executive Producers - the pair also wrote a substantial part of the season and changed the focus of the show entirely. If anything, season two became exactly what season one wasn't : rather than the dark murder-mystery show it had been, it morphed into a conspiracy-based, X-Files clone. As the show's central character, these changes have a direct impact on Frank - one of the key changes centres on his ability. With season two, Frank's gift becomes firmly established as some form of psychic ability that can be passed from one generation to another. Frank's thoughts and comments are, at times, so surreal that he almost becomes Fox Mulder with wrinkles. It's also revealed that he's a big fan of Bobby Darin. This wouldn't have been a problem, only for Morgan and Wong's insistence on including Darin's songs in the show - a distracting and slightly irritating decision. However, it's what Frank did at the end of the season's opening episode - "The Beginning and the End" - that really had me scratching my head. His actions, in my opinion, simply didn't tie up with the character that was established in Season One - most obviously when compared with his behaviour in Season One's "The Thin White Line". Season Two does reveal a great deal more about the Millennium Group. However, its role in providing consulting expertise to various law enforcement agencies now appears to be a front and it becomes a devious, manipulative organisation. As the season progresses, it focuses more on the Group's internal politics, and less on actual investigations - although, thankfully, Peter Watts now plays a greater role. A couple of new characters are also introduced. One, Lara Means, is essentially a female version of Frank - she is a Millennium Group candidate and has visions. Unfortunately, it seemed to me that none of the writers really had much of an idea what to do with her. Brian Roedecker, meanwhile, was an unnecessary and irritating addition and one that computer geeks everywhere will find offensive - think Jar Jar Binks without the merchandising potential. While Season One was consistently excellent, I could only describe Season Two as patchy. I enjoyed some of the episodes a great deal - "The Curse of Frank Black" and "Midnight of the Century" take a peek into Frank's past, the former also having a nice Hallow'een twist to it. "Owls" and "Roosters", which deal with a near-civil war within the Group, are two very good conspiracy-driven episodes. Some episodes could've been just as good, but were let down by slightly weak endings - for example, "The Hand of Saint Sebastian" (an episode also hampered by Roedecker) and "The Mikado" (at last - a serial killer !). Others, however, seem like scripts intended for The X-Files, with only minor changes being made for this show. "Sirens" sees Frank behaving like Mulder, with Lara Means playing the Scully role. Lara subsequently switches sides, playing the Believer in "Anamnesis", while Catherine plays the Sceptic. (First broadcast five years before a famous bestseller by Dan Brown was published, it avoids beginning with a list of 'facts'. Brown's fans should enjoy it, all the same). A word of warning though - "Jose Chung's Doomsday Defence" and "Somehow Satan Got Behind Me" are abysmal and are best avoided. Overall, I'd have to say I was a disappointed with season two. Morgan and Wong turned down an invitation to contribute to the 'making-of-season-two' documentary - a shame, as that might have helped me understand why the show changed so dramatically. Perhaps unfairly, I couldn't help comparing it with Season One. While "this is who we are" seems to have become a catchphrase for the Group's members, at times I couldn't help thinking "but this is not who you should be". If your likes include conspiracies and the X-Files, there'll probably be enough here to keep you happy. If, on the other hand, you're hoping for a continuation of the very dark murder-mystery show, you'll be disappointed.
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